{"id":731,"date":"2016-08-29T14:39:04","date_gmt":"2016-08-29T21:39:04","guid":{"rendered":"https:\/\/live-optics-wp.pantheonsite.io\/falco\/?page_id=731"},"modified":"2016-08-29T14:39:16","modified_gmt":"2016-08-29T21:39:16","slug":"ultan-guilfoyle","status":"publish","type":"page","link":"https:\/\/wp.optics.arizona.edu\/falco\/art-of-the-motorcycle\/ultan-guilfoyle\/","title":{"rendered":"Ultan Guilfoyle"},"content":{"rendered":"<h3>April 1998<\/h3>\n<p>Ultan Guilfoyle standing on the site in the Peloncillo Mountains of southeastern Arizona where Geronimo surrendered in 1886. Ultan is Director of the Guggenheim&#8217;s Film and Video Production Department, and has produced or directed a number of films in Europe and the U.S., including several award-winning ones. In the midst of final preparations for the motorcycle exhibition at the Guggenheim he also was Executive Producer for the independant production &#8220;Battle Alert in the Gulf,&#8221; broadcast in the U.S. on the PBS show Nova on February 23, 1999 (to complete filming, he flew to Bahrain two days after I took this photo). On another of our rides (<em><strong>May 1999, below<\/strong><\/em>) a year later we discussed preparations for the exhibition to move to Bilbao, Spain.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-77\" src=\"http:\/\/wp.optics.arizona.edu\/falco\/wp-content\/uploads\/sites\/57\/2016\/08\/ult.jpg\" alt=\"ult\" width=\"474\" height=\"337\" data-id=\"77\" srcset=\"https:\/\/wp.optics.arizona.edu\/falco\/wp-content\/uploads\/sites\/57\/2016\/08\/ult.jpg 474w, https:\/\/wp.optics.arizona.edu\/falco\/wp-content\/uploads\/sites\/57\/2016\/08\/ult-300x213.jpg 300w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/p>\n<hr \/>\n<h3>May 1999<\/h3>\n<p>Ultan Guilfoyle and Charles Falco at the south rim of the Grand Canyon. We spent our evenings during this motorcycle ride fine-tuning the checklist of machines for the exhibition&#8217;s move to Bilbao, Spain in November. Our final checklist for Bilbao ended up roughly 20% different than for New York. The following year found us working on the next checklist, this time in <em><strong>Ireland (below)<\/strong><\/em>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-76\" src=\"http:\/\/wp.optics.arizona.edu\/falco\/wp-content\/uploads\/sites\/57\/2016\/08\/ult2.jpg\" alt=\"ult2\" width=\"738\" height=\"506\" data-id=\"76\" srcset=\"https:\/\/wp.optics.arizona.edu\/falco\/wp-content\/uploads\/sites\/57\/2016\/08\/ult2.jpg 738w, https:\/\/wp.optics.arizona.edu\/falco\/wp-content\/uploads\/sites\/57\/2016\/08\/ult2-300x206.jpg 300w\" sizes=\"auto, (max-width: 738px) 100vw, 738px\" \/><\/p>\n<hr \/>\n<h3>Ireland &#8211;\u00a0August 2000<\/h3>\n<p>Charles Falco and Ultan Guilfoyle somewhere on the Beara Penninsula in County Kerry, Ireland. We spent our evenings during this ride devising the checklist of machines for the exhibition&#8217;s move to the not-yet-constructed Guggenheim Las Vegas in 2001. Our final checklist for <em><strong>Las Vegas (below)<\/strong><\/em> ended up roughly 20% different than for either New York or Bilbao. Final preparations were completed just before it opened to the public on October 7, 2001.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-112\" src=\"http:\/\/wp.optics.arizona.edu\/falco\/wp-content\/uploads\/sites\/57\/2016\/08\/ireland.jpg\" alt=\"ireland\" width=\"524\" height=\"357\" data-id=\"112\" srcset=\"https:\/\/wp.optics.arizona.edu\/falco\/wp-content\/uploads\/sites\/57\/2016\/08\/ireland.jpg 524w, https:\/\/wp.optics.arizona.edu\/falco\/wp-content\/uploads\/sites\/57\/2016\/08\/ireland-300x204.jpg 300w\" sizes=\"auto, (max-width: 524px) 100vw, 524px\" \/><\/p>\n<hr \/>\n<h3>Las Vegas &#8211; October 2001<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-78\" src=\"http:\/\/wp.optics.arizona.edu\/falco\/wp-content\/uploads\/sites\/57\/2016\/08\/ugcflv.jpg\" alt=\"ugcflv\" width=\"878\" height=\"592\" data-id=\"78\" srcset=\"https:\/\/wp.optics.arizona.edu\/falco\/wp-content\/uploads\/sites\/57\/2016\/08\/ugcflv.jpg 878w, https:\/\/wp.optics.arizona.edu\/falco\/wp-content\/uploads\/sites\/57\/2016\/08\/ugcflv-300x202.jpg 300w, https:\/\/wp.optics.arizona.edu\/falco\/wp-content\/uploads\/sites\/57\/2016\/08\/ugcflv-768x518.jpg 768w\" sizes=\"auto, (max-width: 878px) 100vw, 878px\" \/><\/p>\n<p>Ultan Guilfoyle and Charles Falco just inside the entrance to the new Guggenheim Las Vegas a few days before <i>The Art of the Motorcycle<\/i> opened to the public on October 7, 2001.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/wp.optics.arizona.edu\/falco\/art-of-the-motorcycle\/\">&lt;&lt; Back to The Art of the Motorcycle<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>April 1998 Ultan Guilfoyle standing on the site in the Peloncillo Mountains of southeastern Arizona where Geronimo surrendered in 1886. Ultan is Director of the Guggenheim&#8217;s Film and Video Production Department, and has produced or directed a number of films in Europe and the U.S., including several award-winning ones. In the midst of final preparations for the motorcycle exhibition at<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":465,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-731","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wp.optics.arizona.edu\/falco\/wp-json\/wp\/v2\/pages\/731","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.optics.arizona.edu\/falco\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.optics.arizona.edu\/falco\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.optics.arizona.edu\/falco\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.optics.arizona.edu\/falco\/wp-json\/wp\/v2\/comments?post=731"}],"version-history":[{"count":2,"href":"https:\/\/wp.optics.arizona.edu\/falco\/wp-json\/wp\/v2\/pages\/731\/revisions"}],"predecessor-version":[{"id":733,"href":"https:\/\/wp.optics.arizona.edu\/falco\/wp-json\/wp\/v2\/pages\/731\/revisions\/733"}],"up":[{"embeddable":true,"href":"https:\/\/wp.optics.arizona.edu\/falco\/wp-json\/wp\/v2\/pages\/465"}],"wp:attachment":[{"href":"https:\/\/wp.optics.arizona.edu\/falco\/wp-json\/wp\/v2\/media?parent=731"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}